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Transentities
The Nasty Love of Papi’ and Wil
Starring: Papi, Wil and Chris.
Directed by: Morty Diamond
Will Appeal To: Genderfuckers, dykes and the trans-curious.
From: Morty Diamond 2007
Papi’ and Wil are two genetic females who indentify as “trans
entities.” The DVD focuses on them and their relationship, effectively
capturing their incredibly intimate and “nasty” sex. In between the sex
scenes, the two discuss their feelings for each other, what makes their
sex lives so rich and how they incorporate the many facets of their
sexuality. It is, as the press release states, “a sexy,
thought-provoking and above all touching portrait of a real transgender
couple.” It is also, as the release further describes, “the first
pornographic movie to feature a real transgender couple that exhibits
role play and BDSM as a rich and meaningful part of their sex life.” It
was the sexiest thing I’ve seen in ages, I can tell you that!
In the opening scene, both partners are sporting strap-ons. They make
out as you’d expect of two people in love, plus a lot of playful
slapping of faces and breasts, biting and choking; this IS a BDSM
relationship, in addition to being a trans-identified, polyamorous one.
The two enjoy mind-blowingly convincing climaxes from assorted stimuli:
strap-ons, cunnilingus and hard core, four-finger hand-fucking. Whew,
it gets rough! When Wil is jamming “his” hand into Papi’, that
roughness resulted in fountains of female ejaculate. Nice!
Scene two co-stars Chris, a third partner in this polyamorous
relationship. The interview is intercut as Papi’ and Wil discuss how
they deal with polyamory and race dynamics. (Though it isn’t the most
important aspect, Wil is black and Papi’ is Hispanic. Chris is not only
white but a deaf dyke. So there are definitely some out of the ordinary
dynamics here.) Their play is ultra intense and lasts a good, long
time. Utilizing various forms of BDSM, including clothes pins, leashes
and breast torture, the three spontaneously interact. It seems like the
more pain Wil inflicts on Chris, the more intently she services Papi’,
thus the heightened pleasure for all involved. It’s a delicious
correlation. When Wil plugs in a vibrator and wields it against the
clits of both Chris and Papi’, the orgasms are boggling; just watching
Papi’ quiver had me wet! Latex gloves are donned for some softer
passion between Chris and Papi’. Then it’s a three-way, with fingers,
strap-ons, kissing, leash-choking, the whole nine. When the two ride
Wil’s cock, they both make all kinds of noise which, in and of itself,
is totally hot. The after-play is tender—more making out and soft
nipple sucking and creates the perfect post-coitus (?!) vibe.
Returning to the interview, the two talk about role play and how they
integrate the different aspects of their sexual identities. After they
negotiate a scenario, the camera cuts to them in costume and follows as
they act out their agreed-upon scene. It’s pretty fuckin’ impressive;
they get VERY into it! And Morty catches it all like it’s reality. The
scene gets pretty rough, with punching, bondage and all sorts of
interesting torture. Wil slips an NJoy butt plug in as part of the play
and then fucks Papi’ “butt” good. It’s an exhausting “game!” Once
they’re totally spent, the aftercare is warm and tender.
I’m not sure how to sum up this film. It probably won’t appeal to a
wide audience, which is a shame. You won’t find this level of on-screen
passion, well, pretty much anywhere, but in porn, especially. The
thrill of watching such wildly exploratory sexual beings is
exhilarating. They obviously share a trust and a bond that is most
enviable.
Morty makes no pretense of this not being filmed; the lights and
electrical cables are visible. He calls it a “docu-porn, since he
captured the couple in their reality, with little or no actual
direction. You know all along that it’s a camera crew being given carte
blanche on private lives. Morty says, “Papi’ and Wil are a couple that
have it all: deep love, spectacular sex true passion for life and
spirituality that they share.” And commenting on the shoot, Morty
continues, “It was a real joy to make this film with them.”
[Written Jan. 2008]
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